Photographer: Marc Tousignant

Art Director: Inoisell Miranda

Grooming: Blue Michael for Blue Michael Cosmetics

Nails:  Nail Lounge

Model(s): Fernando@Q & Angelina@angelinaassereto.com

VERSANI isn’t just Jewelry. Versani is a lifestyle, an experience, a philosophy. Founder and famed jewelry designer ARA has his way to combine strength and beauty into each piece. Established in 1992, Versani began as a contemporary jewelry company.

Nowadays, at Versani you can find innovative combinations of gold and silver with wood, leather, denim, semi-precious stones, and diamonds.  Also, there is a wide selection of wedding bands, bracelets, necklaces, rings, cuff links, earrings, and accessories. Our client service is unmatched, a jewelry piece or just a smile, everything you get at Versani comes from the heart.

Versani retail shops are more like treasure chests.

Regularly noted as one of the only places to get amazing jewelry for men and women, today’s SoHo headquarter and on-site production supports Ara’s vision: to bring the magic of Versani jewelry to his clientele around the world.

The Gemstone collection uses a modern technology known as Tension Setting, which portrays the gemstone in its maximum beauty. Versani has mastered the art of preserving the stunning, dazzling quality in the most iridescent stones.

Each collection reflects the juxtaposition that inspires the Versani slogan “Stay Cool Be Strong”.

The Wood collection pairs Bocote, a beautiful, warm, and exotic South-American wood with precise, gleaming platinum, gold, or sterling silver.

The Key Design collection comes directly from the heart of Versani, based on an enchanting keepsake Ara had as a child.

A modern mix of structure and design, elegant, yet profoundly simple

XEX-CLUSIVE VERSANI INTERVIEW

1.- What is Versani?

In one word, Versani is a lifestyle. Bringing out the fun, strength, adventure and uniqueness in your life! Daring to be unique! That’s Versani! Going where most would not.

2.- A man should never wear…

Costume Jewelry. I feel that accessories are a very important and critical part of a man’s wardrobe and not only builds confidence but adds character. A fine designer suit just adds to a man’s saunter, in a similar way so does real jewelry!

3.- A woman should never wear…

Anything else but a smile. I feel that women can wear anything. 

4.- What is the source of your inspiration?

I am inspired by a lot of things but I would say nature is my greatest inspiration. I love the unpredictability of nature, it’s richness and abundance of shapes, textures, colors. I love being in nature and my stores and collections reflect this.

5.- Did you always know you were going to design jewelry?

I am innately creative, however I never thought that I would be designing jewelry. It has truly been a blessing to be able to express love and creativity through it. 

6.- What will you tell young designers at the challenging beginning of their careers?

Have a strong heart, be persistent, keep moving forward and go out and get it! PERSIST, PERSIST, PERSIST!

7.- New York is…

My Home! A place you definitely need to visit once in your lifetime! 

The American dream!

Be sure to visit the Versani website! CLICK

ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

Photography/Art Direction: Sailey Williams

Wardrobe: Inoisell Miranda

Grooming: Blue Michael for Blue Michael Cosmetics

Shoot Assistant: Sacha Azor

Josh Kilmer-Purcell and Dr. Brent Ridge are the founders of Beekman1802, one of the fastest-growing lifestyle brands in the United States, and authors of the upcoming book, The Beekman 1802 Heirloom Cookbook

Josh Kilmer-Purcell is an advertising executive and the New York Times best-selling author of I Am Not Myself These Days. Dr. Brent Ridge is a physician, and formerly a vice president at Martha Stewart Living Omnimedia.

Their decision to leave city life behind has been chronicled in Kilmer-Purcell’s national best seller, The Bucolic Plague, and on the hit Planet Green TV show, The Fabulous Beekman Boys. They call themselves accidental farmers. “We didn’t plan to buy the Beekman Farm in Sharon Springs, New York. We were on a weekend apple-picking trip when we got lost and stumbled on the place.“ They say they have always considered themselves city dwellers, but when they drove by the Beekman mansion built in 1802, they knew we had to have it.

By the next spring, it was theirs. Within a few months, they received a letter from a farmer named John who needed to find a new home for himself and his 88 goats. “It’s hard to say no to homeless goats”, so they took them in. To make use of all of the available goat milk, they created a company, Beekman 1802. They sell their goat-milk soap and cheese on the Beekman1802.com, as well as house wares from local craftspeople. Their website has since been nominated for a James Beard Award and Epicurious hailed them as “the next Martha Stewarts!”

The drive from Williamsburg, Brooklyn to the Beekman Mansion is taking us further and further from civilization. No cars, no pedestrians… already I’m feeling withdrawal from the overcrowded subways of New York City. But when we finally reach the Beekman, we are quickly put at ease by the openness of Brent and Josh and they let us wander the grounds of their beautiful home. We walk the acres of land, passing around a gorgeous lake, walking into a crypt and of course the big red barn. Soon I am quite at home, playing with the goats that I quickly learn are very social animals.

My joy and ease continue into the mansion itself. Brent and Josh are excited when they see the avant-garde fashions we’ve brought to the farm and I can already tell it’s going to be an amazing shoot.

ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

Ever since Stevie Boi launched his line Toxic in 2007, celebrities have embraced the cutting edge eyewear designer. Just a few years after debuting into the fashion industry Stevie Boi’s designs have been worn by the likes of Lady Gaga, Snooki of The Jersey Shore, Michelle Rodriguez, Eva Pigford, Meagan Good, and Lisa Raye. Stevie Boi has also been involved with up and comers such as Teyanna Taylor, Ester Dean, Eletrick Red, and Angel Lola Luv.

Looking at Stevie Boi’s collection it’s clear why these celebrities have flocked to him. Stevie Boi has been the definition of innovation from his first set of shades. Stevie Boi somehow fuses futuristic elements with geometric shapes and patterns in ways that are almost surreal. In an industry where taking risks is expected, Stevie Boi stands out with designs that have even the most daring of fashionistas taking a second glance.

XEX got to sit down with Stevie Boi to figure out the workings of this creative mind.

ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

Continuing its work in supporting aspiring designers around the globe, BKFW will present “Coming to America”, a fashion show featuring the Spring/Summer 2012 collections of visiting African born designers, including Washington Roberts (Nigeria), Raif Atelier (Togo) and Felix Anaman (Ghana). The four day event will include the Live 4 Fashion Benefit, an after party and silent auction of art and fashion pieces – the proceeds of which will support SAF’s HIV/AIDS awareness campaign in Africa, as well as XEX Magazine’s event Sunday, October 2nd, 9pm supporting the same cause.

All attendees for the XEX Magazine  event will receive a “Digital Giftbag” including a Xex Magazine issue for iPAD and Android, Coupon for 10% of all Blue Michael Cosmetics products, & 20% off hair services Evolution – The Green Room Salon.

To attend please RSVP to info@xexmag.com, you can also join our FACEBOOK event list.

For more information on BK FASHION WEEK{END} visit their website : bkfashionweekend.com

Click here for DIRECTIONS to the event!

Dear Spike Lee,

There have been a few things nagging at me, and it all started with the Warner Bros.’ recent theater release of the Green Lantern live action movie.

Now it isn’t shocking that the movie wasn’t well received by critics; frankly the whole thing looked liked an under-budgeted Pixar film, but that’s neither here nor there. What surprised me most was the decision to have Ryan Reynolds sport the green bling on his right hand. Don’t get me wrong; Van Wilder is a fine actor, but I was under the assumption that the Emerald Crusader had a bit of a darker complexion. That’s what the last decade of Saturday morning cartoons taught me anyway. And also Lex Luthor might be Hispanic. I’m not sure; it was pretty ambiguous.

The Green Lantern actually has multiple incarnations. Two of the most famous are Hal Jordan, a Caucasian Lantern who first appeared in DC’s Silver age of Comics circa 1959, and John Stewart, an African-American successor, who graced the pages of Green Lantern’s Bronze Age in the early 70’s. Kids familiar with the Justice League and Justice League: Unlimited animated series of 2001-2006 have seen Stewart be the only diversifying factor in an otherwise all white lineup of heroes. So when the time came to cast a lead for the Green Lantern movie, what happened?

Technically, Hal Jordan came before John Stewart. It is important to respect the mythos of any hero, especially one that has had an enduring story since 1940. Hardcore comic book fans as well as casual moviegoers can appreciate that. Yet, anyone who has seen a comic book movie adaptation in the last 15 years can see that they are just that: adaptations. Stories like these are begging to be tweaked, rewritten, and updated. It’s a way to keep them relevant and relatable to the viewer. (Superman’s origin story has undergone many revisions over the past 70 years, presumably for this very reason) Underneath the gaudy jewelry and distaste for yellow, the Green Lantern is a story about overcoming fear, and realizing that creativity and imagination can be just as powerful as brute force. Frankly, it’s hard to find any concrete justification for why a black actor couldn’t convey these ideals as the Green Lantern.

I guess I shouldn’t be surprised. Ever since 1966, when Marvel introduced “Black Panther” as the first superhero of color; there has been a perpetual ebb and flow of racial progress in superhero media. Although people of color were now being represented in the comic book world, it seemed as though the 70’s saw writers and artist do everything in their power to make black heroes as stereotypical as possible.

Somehow it was prudent to have black men fight crime sporting gold medallions, bell-bottoms and power fists. And of course, foxy mamas were never far behind, equipped with afro-picks ready to groom their man at a moment’s notice. Pam Grier be damned. “Luke Cage,” the first African-American superhero to star in his own series, employed dialogue that sounded like it came strait out of Super Fly. I’m surprised Shaft didn’t sue for copyright infringement. Indeed, with names like “Brother Voodoo,” “Black Lightning,” “Power Man,” and “Muhammad X,” it’s easy to see why these characters weren’t paragons of the politically correct.

Over the next 30 years, comic books would gradually veer away from the use of stereotypes as a means to fit their cultural expansion allowance and dynamic characters, who just happen to be ethnic, became more widespread. However, the translation of comic book narratives into television programs and feature length films was becoming an increasingly viable market, ultimately providing black actors with as much adversity as it did (and does) career opportunities.

Batman, the live action series of the late 60’s, introduced a black Catwoman to the roster when Eartha Kitt replaced Julie Newmar in its third season. Despite only appearing in three episodes, Kitt was the subject of controversy when an on-screen kiss with Adam West, playing Batman, was ultimately written out of the script due to racial tension. With that said, its understandable why Halle Berry would find it enticing to succeed Kitt as another kitten of color in the ill-fated 2004 film, Catwoman. Finding fault withBerryis difficult, given what the success of Catwoman could have meant for the progression of black women as heroes. Alas, this particular brand of “black cat” appears to be doomed to failure.

Concurrently with Catwoman,Berrywas also attached to the X-Men film series, playing marvel’s resident weather goddess, Storm. Storm has the distinction of being one of the first black comic book characters, and first female, to play either a major or supporting role in the 2 major comic book houses, DC and Marvel. Although not the first character introduced, since her creation, Storm has remained the most successful and recognizable black superhero to date. The Beautiful Windrider made her first appearance in the 1975 comic book run of X-Men, along side a “small world” cast of characters, spanning the Soviet Union, Ireland, Japan, Kenya, and Canada, to mention a few. The film series conversely implemented a predominately white American cast, with Berry’s Storm being the only exception. X-Men (2000) and X2 (2003) used Berry as nothing more then a background personality, spouting hackneyed one-liners and shooting the occasional lightning bolt when deemed appropriate. Giving her a different wig each film is not laudable compensation for treating a character, and an esteemed actress, in this matter. It was as if she was only there so the Xavier Institute could fill their Affirmative Action quota.

Berry, unwilling to let this trend continue, stated in interviews that she would not return for X-Men: The Last Stand (2006) unless her character had a significant presence comparable to the comic book version. A successful, and perhaps arrogant, gambit, the Oscar winner managed to employed her sizable clout to guarantee that one of comic book’s greatest heroes of color was not cast to the wayside.  You go girl.

Now for the kicker: what if I told you Wesley Snipes, Mr. Income Tax himself, was at the root of all this?

Yes, as luck would have it, the 21st century outpour of whitewashed superhero films, X-Men, Spiderman, Daredevil, Iron Man, Fantastic Four, Ghost Rider, etc., all started with a gritty vampire flick, staring a black actor. And no, I’m not referring to Blacula.

Remember Blade? Wesley Snipes played Marvel’s human-vampire hybrid, equipped with the abilities to protect mankind from their pale-skinned malcontents (Insert irony here). Blade (1998) and its two sequels, Blade II (2002) and Blade: Trinity (2004), were consistent critical and commercial successes, gaining fan acclaim and grossing over $415 million US. It was because of the Blade trilogy that Marvel green lit both the X-men and Spiderman film series. The Blade films are enduring proof that a successful black superhero franchise can exist.

I bet your wondering why I’m telling you all this. Well Spike, I’ve been talking with the rest of the world and I think we all agree that its time for you to make your own superhero movie. Personally, I think the Black Panther would be right up your alley. Black Panther is T’Challa, a king of the African Nation of Wakanda who journeys toNew York Cityto fight crime along side its many heroes, while retaining pride and loyalty to his home nation. If anyone could do this character justice, it would be you. As the first black superhero in mainstream American comics, I believe that you would properly handle this character and respect what he means as an icon for heroes of color. Now more then ever,Hollywoodneeds a voice that properly represents blackAmerica. To quote one of your movies, “Perform the correct action.” I know you’re a busy man, and I won’t pressure you beyond this letter. Just think about it sir; don’t let Aaron McGruder beat you to the punch.

Sincerely,

Michael Nelson

ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

Gabriella sees her artwork as in a constant state of becoming. As such, she encourages her audience to actively participate in the viewing of her work. The artist does not finish a work of art; rather, the viewer becomes an equal participant when they construct meaning.

At present thematically Gabriella is focused on exploring concepts of the feminine identity. As a woman she has very strong feminine views. Her work is dominated by the concepts of power: weakness, strength, domination, submission and subjugation. The ideas she tries to convey are either personal to her identity as a woman or personal to her experience and observation of other women and how others relate to them.  She strives to emphasize woman’s importance as a member of society and as a member of the universe. This is achieved by expressing her as powerful and weak; exalted and debased; at her most effeminate as well as her most masculine.

Gabriella’s work is about humanity and our world, both realized and fanaticized. Through visual manifestations of power, her art celebrates the internal power that the female holds within herself. Her work is a testament to woman, celebrating who she was, who she is and what she may become.

Gabriella is currently working on a diverse new body of work within the framework of the theme of “Woman” with the intension of having her first solo exhibit in June 2012 in Trinidad.

For more information on Gabriella and her work please visit her website www.gabrielladabreauart.com

ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

Article: Karl Xtravaganza

 One night when you are pumping on the dance floor and you suddenly wonder if there is an alien invasion… don’t panic, we’re not under attack and it’s not your recreational chemicals kicking in… likely you are witnessing one of the creations of G Xtravaganza Bizarre. A professional costume designer and event decorator by day, nightly metamorphoses transform G into any number of his alter egos.  Since moving to New York City in 2005, G has developed a nightlife cult following who look forward to witnessing each of his unique assemblages.

G grew up in a single traffic light town in ruralArizonawhere he learned early on that if he wanted to have some glamour in his life, he was going to have to create it himself.  After moving for a short time toLos Angeles, G eventually made his way east toGotham.  “I love the freedom to allow my imagination to run wild and the people ofNew Yorkreally respond to that sense of creative independence.  New Yorkers are a tough bunch and it takes a lot to get a rise out of them, which really helps to push the limits of my artistry.” he explains.

His nightly apparitions eventually caught the eye of some members of the House of Xtravaganza, who instantly recognized the unique talent and ballroom potential of his over-the-top costumes.  “I knew about the balls from watching ‘Paris Is Burning’ but thought they were mostly about drag, realness and voguing.  I didn’t know about that ‘Bizarre’ was an important element within the ballroom community.”  House members began taking G to balls where he saw for himself that the anything-goes atmosphere of the ballrooms would provide the perfect setting for his most extreme ensembles.  “Before the balls” he explains, “I was limited because I had to be able to pump all night on the dance floor in an outfit – getting in and out of taxis and stuff.  However the balls removed all restrictions – I could do ANYTHING – totally out-of-the-box.  Six foot tall wig – no problem, thirty foot long cape – looks great on the runway, shoulder pads four feet wide… make them bigger!  The options were limitless – total freedom.”  Each costume is a mash-up remix of references and inspirations as diverse as circus acts, the French revolution, children’s toys and 1950s b-movie monsters.

However it is not all fun and games and a significant amount of work goes into each of G’s costumes.  “Planning is key – whether for a night out at the club or for a ball the costumes have to be on-point – no room or tolerance for messiness.  How is the outfit going to move, how will the various parts come together, what kind of arrival do I want give…?”  Several weeks of work can go into each look, and for a major ball there can be up to four different ensembles for a single evening.  All that work has paid-off and the ballroom community has acknowledged G’s artistry with numerous grand prizes.  As G expresses, “The ballrooms are about ‘transformation’ and when you can impress those kids you know you really have something special.”

ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

 ARTICLE FEATURED IN XEX MAGAZINE: SPECIAL EDITION ISSUE

MUA: William Marshall

Hair: Daniele Marinio

Associate Editor(s) Sacha Azor

Header Photo: Devon Cass

When the idea for XEX to “Go Drag” the question then became “Who should we feature?” as there are so many popular NYC drag performers; as well as the queens of that popular drag show on LOGO. We then thought, who would we pay to see and tip heavily, that left us with non other than the Legendary Queen of Comedy Harmonica Sunbeam!

Harmonica Sunbeam, The Legendary Queen of Comedy has been delighting audiences at nightclubs, cabarets, fundraising events and supermarket openings throughout the United States and abroad for over 15 years now. Her live appearances along with her personalized DVDs, have gained her a cult following of all ages, races and backgrounds.

With her unique yet classic style and razor-sharp wit, she has all the necessary talents to reach her goal of mainstream stardom.” The sky’s the limit!” Harmonica exclaims. “In the entertainment field, if people feel you are marketable, they will use you in any capacity”. She is a member of the Screen Actors Guild and has been featured on several television shows (Law and Order SVU, Third Watch, Johnny Zero and 100 Center Street). Her film credits include Honey w/Jessica Alba, Uptown Girls w/Brittany Murphy and the Oliver Stone drama “WORLD TRADE CENTER”. Her latest movie project is “Please Give” directed by Nicole Holofcener

Miss Sunbeam has also worked alongside noted musical artists such as Beyonce, Mary J.Blige and Jennifer Holiday to name a few.

Harmonica entered the world of music with three pumping club singles that were produced independently but yet made thousands of new and lifelong fans. These titles include “Ready to Pump”, “I’m Here To Work” and the latest “This Is The Beat”.

Despite her busy schedule Miss Sunbeam has still found time to assist and work with many community based gay organizations such as POCC, GMAD, Jersey City Pride, Our Youth and AAOGC to name a few. Her commitment to being a positive role model in today’s selfish world clearly speaks for itself.

Some of Harmonicas Performances